Monday, August 27, 2018

BSA 204 W8 : First Draft Development


______________________________________________________________________________________________

The Marine gets home and experiences a jump scare.

He sits down at his computer and gets out his phone, he flicks from the photos to google and facebook where he looks up the names of the different patients. We get flashes of news articles and facebook posts about each dying, one by one he sees that the dates all happened about a month or two after the surgery with The Doctor. There is one patient however who is still alive. There is a news story of him assaulting the doctor and something about schizophrenia. He decides to contact The Ex-Patient and sends him a message via facebook.

The Marine is in the bathroom, there is steam everywhere and he has just gotten out of the shower. The music is getting eerie again, he removes his shaving kit from the cabinet, it's an old fashioned razor and everything is neatly kept - almost OCD-like in how he handles the tools. He starts to shave slowly, but the music gets tenser, behind him a shadow, a sound. This scene drags out for a bit as he shaves, everytime he gets distracted he almost cuts himself, or actually does. He gets more nervous too, starting to rush, he gets to his neck and then the thing decides to jump scare him as he closes the mirror, he knicks his neck and his heart pumps quickly.

At a cafe The Marine is waiting for The Ex-Patient, who he texts and asks how far away he is. The Ex-Patient walks through the door, he is unkept, a long beard - he looks like a schizo. The Marine gets up to shake his hand, the Ex-Patient isn't one for handshakes he just sits down. The Marine starts with polite conversation, asking if the Ex-Pat wants anything to eat, the Ex-Pat jumps straight to the point. He asks whether The Marine has seen It as well. The Marine explains what happened, the Ex-Pat looks around nervous, he doesn't exactly trust The Marine, he asks if it's some kind of joke. The Marine assures him its not, he tells him of his situation, The Ex-Pat says how he's been diagnosed as schizophrenic, he's been to multiple doctors and therapists. The Marine says they need to fix it, go see the doctor, make him fix it. The Ex-Pat says they can't do that, he's got a restraining order. The Marine says yes but now he has someone else with the same problem, the Ex-Pat says it's not just that - The Doctor slept with his ex. The Marine describes how many have died within months and how he doesn't have long and neither does the Ex-Pat. The Ex-Pat says he's learned to live with it, there are ways to survive. He says they can't approach The Doctor but they can live with the curse and he'll show him.

Cut To The Ex-Pat's house, in this scene he goes through his various precautions, The Marine asks some questions about the creature itself and urge the Ex-Pat to change his mind. The Ex-Pat says that having two crazies in the world doesn't fix the problem and The Marine walks away defeated and frustrated.

The Marine is driving home, he drives past the hospital and spots The Nurse from before, she is crying. He pulls over and goes to talk to her. She reveals that The Doctor used her and cheated on her, she's understandably distraught. The Marine asks her how well she knows the hospital, she knows it very well even though she's only been there a couple of weeks. He asks how well she knows The Doctor's movements, she knows them very well because she had a crush on him.

The now trio infiltrate the hospital and get themselves into The Doctor's office where they confront him when he gets back.

They confront The Doctor and tell him they have made the connection between him and his patients and say that he is going to tell them everything. Maybe hint at the fact that the main character might have done interrogation in the army.
_________________________________________________________________________________

''JUMP SCARE'' FIRST DRAFT by Bootje Myburgh


Over black we hear the sound of a slow heartbeat, it continues:


THE MARINE (V.O.)
I get this feeling that there's something in the house with me, and not just at home, like it's following me everywhere I go and it's not just the presence, it's real, like I see it, like a hallucination--but a violent one Doc

FADE IN
INT. Hospital Halls

The Doctor is walking through the halls of a hospital, it's in slow motion, he has a clipboard in one hand and pockets a golden pen with the other, as he walks through the halls he nods to the nurses


THE MARINE (V.O.)
And I'm scared because it's causing a lot of stress on my heart, every time it's this visceral jump and I see this face come out of nowhere and there's this horrible screaming sound, it's like someone's playing a prank on me but it's, it's something evil--

The Doctor is sitting behind his desk, across from him is The Marine telling his story

THE MARINE
--it happens infrequently at any point in the day I just get this horrible chill down my spine, hear noises in the house and follow it and turn around, or look to the side or something and this evil-like, well just--facelunges out at me and every time that pressure on my heart returns like with my attack

THE DOCTOR
How many times has it happened now?

THE MARINE
Since my surgery last month, about four times, and it doesn't always go as far as a jump, but I've had that paranoia come over me way more times than that

THE DOCTOR
That's actually perfectly normal for someone who's just undergone a heart attack, especially someone who was as seemingly healthy as you, I've heard similar stories with many of my patients, it's not really a medicalcondition per se, it's shock - your brain is having trouble processing it and has created a subconscious fear of going through that experience again, there's not really much I can do to help, I'm afraid it's a psychological problem

THE MARINE
Yes doc, but it's not--I-I'm awake when these things happen, in fact I'm awake all the time now because I'm losing sleep because of it, maybe there's something wrong with my pills or maybe just, maybe you could just help relieve my sleep deprivation

THE DOCTOR
If you're not sleeping than that's the source of your troubles, after a while it becomes hard to tell the difference between being awake and not--

The Doctor's phone vibrates on the table and the screen lights up, he gives it a quick glance 

THE MARINE
Hey Doc, it's just it didn't happen before the surgery, there must be something that you could....

THE DOCTOR
It really isn't my area of expertise, I could maybe get you medication for the insomnia, but the actual ailment that you seem to be suffering from comes from a psychological place, if you're not seeing anyone already I could recommend a psychiatrist to you?

THE MARINE
Your past patients, did they have the same experience as me, like did they see this thing too, or...

THE DOCTOR
Not exactl--similar experiences, as I said it's normal after such a traumatic exp--

There's a knock at the door and a nurse pops her head through:

THE NURSE
Doctor, I'm sorry but your needed urgently in the west wing

THE DOCTOR
Yes, I'll be right out

The Nurse nods and close the door again

THE DOCTOR
I'm sorry, I have to go, maybe we can reschedule this appointment?

THE MARINE
I'm afraid man, this thing is playing some serious games with my heart, it's getting worse everytime and it sounds like bullshit but you said it yourself, stress and fright can kill you, one of these days my heart's gonna stop 

The Doctor's phone buzzes again, he picks it up this time:

THE DOCTOR
Tell you what, I'll make a note

He takes his gold pen and writes down on a pink post it note, he shows it to The Marine

THE DOCTOR
It says to get you something to help with the insomnia, and I'll put it right here in your file

He opens his file cabinet, which seems to be sorted by the type of ailment, and takes out The Marine's file and sticks the post-it note to it

THE DOCTOR
Next time you come I'll have that ready to go, but I have to leave now--

THE MARINE
This appointment took me a week to get and the attacks are getting worse, I'm gonna have another heart attack proper

THE DOCTOR
You're putting too much pressure on yourself, I've done what I can, what you need to do now is maybe just take a break from work, have some time off

THE MARINE
That doesn't help, it happens it home - I told you it happens everywhere I go, how am I supposed to go on with my life if this doesn't get fixed

THE DOCTOR
I don't know. And frankly it's not my problem, this is a personal matter that needs to be sorted with a psychological professional, it's not my area of expertise

His buzzes, there's the nurse's shadow at the door

THE MARINE
My life is in danger, how is that not your area of expertise?

The Nurse knocks

THE DOCTOR
I'm coming

THE MARINE
I'm not leaving until someone helps me

The Nurse enters again, she lingers in the doorway

THE NURSE
Doctor? Doctor you're needed urgently

The two men look at her

THE NURSE
It should be quick though...

THE DOCTOR
Okay, I'll be back in 20?

The Nurse confirms this with a thoughtful nod

THE DOCTOR
Yeah 20 minutes, if you don't mind waiting I'll come back with the pills you requested, how about that?

THE MARINE
Sure

The Doctor takes something out of his desk and starts for the door

THE DOCTOR
Okay then

He hurries to the door and the nurse excitedly exits into the hallway, on the way out The Doctor gives The Nurse a pinch in the butt and she giggles as they both walk away in a hurry

The Marine sits in silence, he's exhausted, he looks at the filing cabinet. His eyes light up a bit as an idea pops into his head.

He looks towards the door that was left ajar, gets up, pokes his head into the hallway and closes it gently.

He makes his way across the room to the filing cabinet, opens it where he saw his file, looks at his own file and the pink post-it, he looks at the other folders - they are all heart attack victims. They all seems to have undergone the same surgery as he did - he starts opening a could, only looking away to check over his shoulder as a shadow passes by the door. There are notes of similar experiences to what he had.

He starts taking photos of the other files with his phone. 

The Marine closes the cabinet, picks up his jacket and exits the office, starting to walk down the hall. He walks past a service cabinet, inside of which there is rummaging, through the bottom of the door two sets of feet can be seen, pants down by the ankles, The Doctor's golden pen falls and rolls towards the door. 

The Marine walks down the hallways, and looks around nervously, a shadow passes behind him, he keeps walking. In a reflection he sees something and as he walks past a hallway he sees another shadow, he ignores these and heads out of the building.

The Doctor walks back through the hallway, he's buttoning up his shirt, he walks past another nurse who looks at him and he looks back. The title shows as the music crescendos:

_JUMP SCARE

EXT. APARTMENT COMPLEX - NIGHT

The camera pans down as The Marine exits his vehicle and walks towards his apartment door, he enters.

INT. MARINE's APARTMENT - NIGHT

The Marine enters his house, takes off his jacket and pins it to a coat hanger, he closes the blinds to his windows. 

____________________________________________________________________________________________________________

Beat sheet for scene at home (aka First Jump Scare):

- He arrives home, we see his house from the outside, he's walking towards the front door but hears a sound behind him, when he turns around he sees nothing though and enters quickly
- Inside he hangs up his coat and goes to look out the window, he looks out at the street and the yard, seeing nothing he closes the blinds
He hears a noise down the hall when he goes to turn on the kettle and he sees a figure standing in his hallway, he says fuck off and closes the door
- he sits down at his computer and starts looking up the other patients, one by one he finds that they are deceased, as each one is revealed the kettle boils higher, he eventually goes to turn it off, he finds one ex-patient who is not dead but sees that the man is a diagnosed schizophrenic and tried attacking the doctor, he messages the man asking to meet up
- There is a crashing sound and he goes to investigate, down the hallway, into one of the rooms, a picture of him and his fellow soldiers lies broken on the ground
- He walks back to the living room and finds the curtains open again, he goes to look out the window again and as he's drawn towards it the creature jumps out from the other side hitting against the glass and giving him a mighty fright, he falls to the ground, his heart hurts and as he's catching his breath the sound of a messenger notification is heard - pan camera to ex patient's message (he wants to meet up or is interested)

____________________________________________________________________________________________________________

Beat sheet tests for Cafe Scene:

The Marine is waiting in a booth at the cafe, a man enters, he's scruffy and unkept - he looks towards the camera:

"I was diagnosed as schizophrenic, no one believed me when I told them about the thing - obviously - my family forced me to see multiple therapists, I eventually convinced them I was fine, I don't talk to them much now though..."

"But you still experience the...attacks?"

The Ex-Patient nods in confirmation to this

"What are the odds that two people are experiencing the exact same thing, and even worse that they were treated by the same doctor?"

He slides printed out pages across the table, the patient looks at these

"All of these other patients died within a month or two of surgery, you're the only one whose gone for longer. I'm coming up on three weeks, how did you do it?"

"I developed methods of coping, there's things you can do to lessen the intensity and frequency of the attacks"

The Marine points inquisitively to the earphones hanging off the patient's neck - 

"Yeah music is a big one, I'm always listening to it now - once you take the sounds away the jumps aren't nearly as shocking"

"Yeah the noise is worse than anything"

"I can show you how I do it if you want to you know..."

"I'd rather confront the fucker who did this to us, The Doctor, there's two of us now, with evidence"

"I can't..."

"We can make him take it back, or at the very least stop him doing this, whatever it is to anyone else"

"I can't go within 500m of that man, some time after my surgery I attacked him at the hospital...I've got a restraining order. Anyway just because there's two of us now doesn't mean that it makes the illness anything other than just that - people share delusions all the time" 

"Whatever he's done to us has to be illegal, we can take it into our own hands, he's hard to get a hold of though..."

"I said no, I'm not going back there"

He starts getting up 

____________________________________________________________________________________________________________



We see the man walk in and look towards the camera, from this we cut to the two of them already talking, the Ex-Patient is telling The Marine about his ship phrenic diagnosis and his experience with therapists, he is excited to meet someone else like him and eager to spend time with him (almost looks up at him in a way) but awkward nonetheless - the interest that this stranger is showing to him is also uncommon and like a drug. 

The Marine just wants him to cooperate, he's not particularly interested in a relationship - he just wants to get the whole thing over with, but needs every piece of information that that Schizo has to offer

The Ex-Pat goes from a place of low status where he is actually looking up at The Marine, after the rejection to have him show The Marine his techniques he becomes more high status, taking control by using the leverage he has to definitively deny the Marine what he wants and insisting that he knows more and that the marine should come see his house


The Marine does so and sees his system, the Ex-Pat savpursnyhencompany an opportunity to teach. 
____________________________________________________________________________________________________________

Walks in

Cut to:

I'm a diagnosed schizophrenic, my family had me see many therapists over the years, eventually I convinced them I was fine 

But you still experience the attacks? 

Sure, but less now, I've found ways to like minimize it I guess

Points to headphones

Yeah, yeah once you take away the noise it's really not that bad - I can show you my methods if you want 

No that's okay, I don't intend on sticking with this thing for long, look at this

Takes out files

Our good doctor treated five other patients, all went through the same surgery and each in turn died a month or two after their operation, we're the only ones left alive and you're the only one whose managed to stay alive for longer than two months 

Pause

It's been three weeks since my operation and the attacks are getting worse, I don't know how long I can last

What do you mean not stick with it for long, you can't get rid of it I've tried 

I can't, you're right, but he can 

Points toward picture of doctor 

What are you gonna do? 

What are we gonna do. We're gonna make him take it back, there's two of us now and we've got evidence that he's been tampering with his patients 

Illnesses spread

What? 

You said there's two of us, I don't think that helps - more than one person can suffer from the same disease

But treated by the same doctor, after the same surgery, along with five other individuals who all died of heart attacks a month later? That's too much of a coincidence, we'll have to be heard out

I'm a diagnosed schizophrenic...

And I'm not, what's stopping you? Don't you want to be rid of this thing? 

Of course I do, but I can manage and I can help you manage too

I don't want to manage, I want to fix it, what do you have to lose? 

Your research is impressive...

What? 

Your research- it's impressive, but you missed one thing, one very important thing

What.

Three weeks after my surgery I attacked the doctor at the hospital, it was a personal feud and I was granted a restraining order - I can't go within 500m of the man

So? Fuck it, he's obviously done some illegal shit, doing experiments on us or something, people will understand and we've got undeniable proof

People will put me--us both back in the crazy hospital

If I do it alone I'll be locked up, but together we c--

I'm not 

He gets up

What?

I'm not going back there and that's final, anyway he's extremely hard to get a hold of I'm sure you've noticed, even two of us just isn't enough. 

Pause

If you want I can show you how I've done it so far though 

Cut To:
__________________________________________________________________________________________ 
Next scene is them at the ex-patient's home, its a montage of sorts of the ex-patient showing him his various coping techniques and the Marine coming to the realization that this isn't how he wants to spend the remainder of his life.

This is followed by the scene in which he finds the nurse running out crying and talks to her, finding new information about the doctor - that he sometimes speaks to himself, but that all the women are so attracted to him. He manipulates the nurse to help him, as an act of revenge (?)

The three of them are infiltrating the hospital and prepare for the doctor to come back to his office. This is where we establish a lot of the scenes that we missed, like the Ex-Pat going along because reason

__________________________________________________________________________________________

The Marine is driving back home, he passes by the hospital as he does so - he recognises the nurse from before, she is briskly walking to her at crying.

The marine does a round and parks, he sees she is still by her car crying, fumbling with her keys.

The car keys drop to the ground and are promptly snatched up by the marine, through tears the nurse apologises and thanks him

He asks what happened, she declines him this information saying she's fine but thanks anyway

He asks if it's about the doctor

She pauses and turns around asking what he knows 

He says he suspected that they had an affair, he also suspects that that might be source of her anguish

She confirms this saying he slept with another nurse, she thought they were meant for each other, that it was special but now she finds to be just another in a long line of whores

He asks whether this is a normal occurrence

She mumbles that there has always been talk, she thought she was different, I mean he's obviously a ladies' man - what makes the marine so interested anyhow? 

The marine tells her he's a patient of his and that he has experienced symptoms that the doctor refuses to acknowledge 

She asks him if he by any chance has heart surgery

He confirms this and she immediately starts backing away trying to get into the car

Whoa, whoa what just happened, what's wrong with his heart patients

She's in the car now

She says it's nothing, just that the doctor sometimes says things about his patients and that he says two heart patients in particular have caused problems in the past - he says they're crazy

Crazy? He's using that as a cover up for what he's really done

I have to go

Come on, let me just ask you one question 

No I really, thanks again but

Listen you know he's been lying to you so why wouldn't he lie about this too? 

I don't know...

You help him during surgery as well aye? 

Huh...yeah sometimes

Okay, let me just ask you this...does he do anything weird dying surgery? Anything different, maybe that you can't explain? 

I don't know, not that I could think of, it's hard to focus with him in the room you know I had a crush and everything even if he did...actually not me personally but some other nurses have said he sometimes..well it's not exactly that weird

What is it? 

Well he can be quite finicky about people watching him, I've heard he sometimes asks nurses to leave during the more tricky parts so he can focus

Yes that's it, see, that's very weird he can do any number of things while he's in there alone 

What exactly did he do to you? 

That's hard to exp--do you want to go get a coffee

__________________________________________________________________________________________

''JUMP SCARE'' by Bootje Myburgh


Over black we hear the sound of a slow heartbeat, it continues:

THE MARINE (V.O.)
I get this feeling that there's something in the house with me, and not just at home, like it's following me everywhere I go and it's not just the presence, it's real, like I see it, like a hallucination--but a violent one Doc

FADE IN
INT. Hospital Halls

The Doctor is walking through the halls of a hospital, it's in slow motion, he has a clipboard in one hand and pockets a golden pen with the other, as he walks through the halls he nods to the nurses

THE MARINE (V.O.)
And I'm scared because it's causing a lot of stress on my heart, every time it's this visceral jump and I see this face come out of nowhere and there's this horrible screaming sound, it's like someone's playing a prank on me but it's, it's something evil--

The Doctor is sitting behind his desk, across from him is The Marine telling his story
THE MARINE
--it happens infrequently at any point in the day I just get this horrible chill down my spine, hear noises in the house and follow it and turn around, or look to the side or something and this evil-like, well just--facelunges out at me and every time that pressure on my heart returns like with my attack

THE DOCTOR
How many times has it happened now?

THE MARINE
Since my surgery last month, about four times, and it doesn't always go as far as a jump, but I've had that paranoia come over me way more times than that

THE DOCTOR
That's actually perfectly normal for someone who's just undergone a heart attack, especially someone who was as seemingly healthy as you, I've heard similar stories with many of my patients, it's not really a medicalcondition per se, it's shock - your brain is having trouble processing it and has created a subconscious fear of going through that experience again, there's not really much I can do to help, I'm afraid it's a psychological problem

THE MARINE
Yes doc, but it's not--I-I'm awake when these things happen, in fact I'm awake all the time now because I'm losing sleep because of it, maybe there's something wrong with my pills or maybe just, maybe you could just help relieve my sleep deprivation

THE DOCTOR
If you're not sleeping than that's the source of your troubles, after a while it becomes hard to tell the difference between being awake and not--

The Doctor's phone vibrates on the table and the screen lights up, he gives it a quick glance 

THE MARINE
Hey Doc, it's just it didn't happen before the surgery, there must be something that you could....

THE DOCTOR
It really isn't my area of expertise, I could maybe get you medication for the insomnia, but the actual ailment that you seem to be suffering from comes from a psychological place, if you're not seeing anyone already I could recommend a psychiatrist to you?

THE MARINE
Your past patients, did they have the same experience as me, like did they see this thing too, or...

THE DOCTOR
Not exactl--similar experiences, as I said it's normal after such a traumatic exp--

There's a knock at the door and a nurse pops her head through:

THE NURSE
Doctor, I'm sorry but your needed urgently in the west wing

THE DOCTOR
Yes, I'll be right out

The Nurse nods and close the door again

THE DOCTOR
I'm sorry, I have to go, maybe we can reschedule this appointment?

THE MARINE
I'm afraid man, this thing is playing some serious games with my heart, it's getting worse everytime and it sounds like bullshit but you said it yourself, stress and fright can kill you, one of these days my heart's gonna stop 

The Doctor's phone buzzes again, he picks it up this time:

THE DOCTOR
Tell you what, I'll make a note

He takes his gold pen and writes down on a pink post it note, he shows it to The Marine

THE DOCTOR
It says to get you something to help with the insomnia, and I'll put it right here in your file

He opens his file cabinet, which seems to be sorted by the type of ailment, and takes out The Marine's file and sticks the post-it note to it

THE DOCTOR
Next time you come I'll have that ready to go, but I have to leave now--

THE MARINE
This appointment took me a week to get and the attacks are getting worse, I'm gonna have another heart attack proper

THE DOCTOR
You're putting too much pressure on yourself, I've done what I can, what you need to do now is maybe just take a break from work, have some time off

THE MARINE
That doesn't help, it happens it home - I told you it happens everywhere I go, how am I supposed to go on with my life if this doesn't get fixed

THE DOCTOR
I don't know. And frankly it's not my problem, this is a personal matter that needs to be sorted with a psychological professional, it's not my area of expertise

His buzzes, there's the nurse's shadow at the door

THE MARINE
My life is in danger, how is that not your area of expertise?

The Nurse knocks

THE DOCTOR
I'm coming

THE MARINE
I'm not leaving until someone helps me

The Nurse enters again, she lingers in the doorway

THE NURSE
Doctor? Doctor you're needed urgently

The two men look at her

THE NURSE
It should be quick though...

THE DOCTOR
Okay, I'll be back in 20?

The Nurse confirms this with a thoughtful nod

THE DOCTOR
Yeah 20 minutes, if you don't mind waiting I'll come back with the pills you requested, how about that?

THE MARINE
Sure

The Doctor takes something out of his desk and starts for the door

THE DOCTOR
Okay then

He hurries to the door and the nurse excitedly exits into the hallway, on the way out The Doctor gives The Nurse a pinch in the butt and she giggles as they both walk away in a hurry

The Marine sits in silence, he's exhausted, he looks at the filing cabinet. His eyes light up a bit as an idea pops into his head.

He looks towards the door that was left ajar, gets up, pokes his head into the hallway and closes it gently.

He makes his way across the room to the filing cabinet, opens it where he saw his file, looks at his own file and the pink post-it, he looks at the other folders - they are all heart attack victims. They all seems to have undergone the same surgery as he did - he starts opening a could, only looking away to check over his shoulder as a shadow passes by the door. There are notes of similar experiences to what he had.

He starts taking photos of the other files with his phone. 

The Marine closes the cabinet, picks up his jacket and exits the office, starting to walk down the hall. He walks past a service cabinet, inside of which there is rummaging, through the bottom of the door two sets of feet can be seen, pants down by the ankles, The Doctor's golden pen falls and rolls towards the door. 

The Marine walks down the hallways, and looks around nervously, a shadow passes behind him, he keeps walking. In a reflection he sees something and as he walks past a hallway he sees another shadow, he ignores these and heads out of the building.

The Doctor walks back through the hallway, he's buttoning up his shirt, he walks past another nurse who looks at him and he looks back. The title shows as the music crescendos:

_JUMP SCARE

EXT. APARTMENT COMPLEX - NIGHT

The camera pans down as The Marine exits his vehicle and walks towards his apartment door, there's a sound in the driveway and he looks around - nothing but darkness. Hurriedly he unlocks the door and enters.

INT. MARINE's APARTMENT - NIGHT


The Marine enters his house, takes off his jacket and pins it to a coat hanger, he looks through his window, ensure it's locked and closes the blinds.

He walks over to the kitchen and puts on the kettle, as he walks back to the lounge there is another sound and he looks down the hall, there is a figure standing between the rooms, he closes the door and as he does so:

THE MARINE 
Fuck off

He walks over to his desk and flips open his laptop, with his phone open he one by one googles the names of the different patients.

This is played as a montage with the kettle slowly starting to boil as The Marine sees each name with the person's time of death, flashing in between are messages from their social media accounts where people congratulate them on their surgery or wish them luck, with condolences and goodbyes being given only a month or so later. He finally finds one who is still alive, but when he googles him an article comes up about the patient attacking The Doctor at the hospital, he friend requests and sends the peculiar patient a message saying "I have the same condition, we should meet up, I suspect The Doctor might be accountable", the kettle comes to a boil here and he goes to turn it off.

As he takes it off the stove and starts pouring he hears the sound again, this time it's followed by a crash. 

He goes to the hallway door, picks up a bat and opens it slowly, he navigates his way down to the bedroom, inside he finds a picture frame on the floor smashed, he picks it up - it's of him and his old army pals.

He takes the picture with him as he walks back to the living room and finds the curtains wide open again, with wind moving them back and forth.

He places the picture on his desk and slowly approaches the window, which is indeed open. 

He looks out at the driveway again and slowly reaches out closing the window. 

He stares out for a bit, seeing only darkness, and as he's about to go close the blinds there is a sudden crash against the window, the face of the demon shows for a split second and he falls backwards, the sound of the heartbeat now fast. He holds his heart and grunts, the baseball bat lies on the ground, there is the sound of a messenger notification and on the computer screen there is a reply from the Ex-Patient.

____________________________________________________________________________________________________________

BSA 203 S2W7 : Subway Sponsorship (?)

This week I asked Subway Liffey, where I used to work, if they would be willing to sponsor our event:


I wish I could have emailed her instead, the headline then would have been "Hey I know I quit but I need money and it's not what you think".

Instead I just messaged her, if I can acquire Paula's email I will do that though.


I got the template off the drive and basically just changed the name:

I am writing to you regarding Think & Create, the Southern Institute of Technology’s annual
showcase of visual arts, film and animation. The showcase, previously—Southsure Emerging
Artist of the Year Awards, was sponsored by Southsure Insurance for a 6-year term. 2017 was
another successful event which included a two-week exhibition across multiple venues in
Invercargill’s CBD featuring over 75 emerging creatives’ works. The always
popular Flicks evening which showcases student film, animation and gaming was also well
attended with close to 200 people thoroughly enjoying the evening.

2017’s judges included:
Filmmaker Allan Baddock and Digital Stock Director Nash Varghese. The Southsure Insurance
Emerging Artist of the Year 2017 was Marcus Beirowski (Marcus was also awarded Excellence
in Film), a first year film student, for his music video The River (https://vimeo.com/246033648),
which deals with issues of grief and forgiveness. Awards presented included the Emerging Artist
of the Year ($2,000.00), Runner Up ($1,000.00), Excellence in Animation ($500.00, Mechanic
internship) and Excellence in Film ($500.00), amounting to $4,000.00. 2017 was the first year
Mechanic Animation (https://www.mechanicanimation.com/) offered an internship that was
awarded to 2nd year animation student Nina Lee-Simpson (https://www.stuff.co.nz/southland-
times/news/98825536/sit-animation-student-to-intern-up-north). Mechanic has agreed to
continue offering this internship as part of the awards in 2018.

These awards have become a highlight for the students and many go on as SIT graduates into
various creative industries or further education with these awards featured in their CVs. The
Southsure Insurance logo was featured on all publicity surrounding all events featured as part of
the showcase including advertisements, posters, invitations, exhibition maps, social media,
awards certificates, Flick’s programmes etc. Inclusion in the event has become a goal for
students to reach for at the end of each year and has also brought some high-profile judges and
guest speakers to Invercargill who have definitely provided students with inspiration for their
future aspirations in New Zealand’s creative industries. Southsure supported the event at
$4,000.00 annually. I am therefore touching base to ascertain whether there is any interest in
Apple supporting the awards in the amount of $4,000.00 or by donating product in the form of
merchandises enabling this vibrant emerging creative talent in Southland to be celebrated in a
way that continues to drive students to innovate and compete in a professional real-world
context. In its present form students, (with the support of tutors), coordinate the event as part of
their Professional Practices paper. They manage all aspects of the event including fundraising,
publicity, judges, guest speakers, awards evening etc. which is a significant undertaking, but
which provides them with great experience and insight into coordinating teams /stakeholder to
meet a specific measurable outcome.

It is a priority for us to host an annual showcase and we would love to work in partnership with
Subway to add value to your business through your support of this year’s showcase. Thank you for your consideration, I will be in touch to discuss this partnership further.

Yours sincerely,
Bootje Myburgh

After this I asked Leigh what she thought of it since she has that knowledge and she reworked it for me:


Hi,

RE; THINK & CREATE EMERGING ARTISTS AWARDS – SPONSORSHIP OPPORTUNITY

Southern Institute of Technology creative students are currently evolving our film, art and animation awards and are approaching business leaders to talk about some mutually beneficial sponsorship opportunities, and in this instance one where we can get your Subway brand in front of lots of hungry students

We’re looking to partner with Subway because we recognise that you value customer relationships and care about community re-investment, whether nourishing bodies or minds.

We’d really appreciate sponsorship help from you for our Think & Create awards, which are the Southern Institue of Technology’s annual showcase of visual arts, film and animation.

The two week event being held in October/November this year will feature more than 75 emerging creatives’ works; and be seen by most students on campus, members of the public, and 200 VIP guests on the final evening.

It is a great chance for you to support us while profiling Subway’s committment to community “nourishment” through getting behind SIT’s creative students.

We are looking for a main sponsor for the event ($4000), and/or additional individual award sponsorship of varing amounts.

We also welcome backing from businesses within our community (including donations of product) that have a good fit with supporting vibrant, emerging, creative talent in Southland, so if you do join us, you'll be in great company. Any support is appreciated and valued. It encourages students belief in themselves and their ability to innovate and compete in a professional real-world context.

Students are the backbone of the awards. They, along with input from experienced tutors, coordinate the event as part of their Professional Practices paper, managing all aspects of the event including fundraising, publicity, judges, guest speakers and the awards evening. This opportunity and experience is invaluable.

We offer a big thank you to all our sponsors, past and present, and welcome the chance to bring on your support as we continue to grow this exciting event.

This letter is to provide some preliminary information for you before I follow up with you on ???? to get your thoughts about how we might work together for mutual benefit.

On the second page of this letter I’ve included further background information about last year’s awards.  

Thank you for taking the time to read my proposal and if there’s anything else you’d like to know before I contact you, please get in touch.

Kind Regards
Bootje Myburgh
(Bachelor of Screen Arts, SIT)
PH: XXXXXXXXX
Email: XXXXXXXX


 EMERGING ARTISTS AWARDS BACKGROUND:

This year’s emerging artists awards have been renamed ‘Think & Create’ to reflect the creative process. As with previous years, the event will be held during two weeks, across multiple venues in the Invercargill CBD, giving our major sponsor and other backers great brand exposure to a captive audience.

We can offer our sponsor/s excellent exposure within the local community through branding and high profile logo display included with all publicity surrounding the event; advertisements, posters, invitations, exhibition maps, social media, awards certificates, and Flick’s programmes.

Interest in this year’s event is already high. And with the addition of a new Creative Certificate course, entries are expected to exceed those of previous years, increasing participation from students and generating greater engagement from the public. The always popular Flicks evening, which showcases student film, animation and gaming is also expected to be well attended on the final night.

Our awards have become a highlight for students, and many go on as graduates into other creative industries or further education, featuring these awards in their CVs (and potentially the Subway brand). Inclusion of their creative works in the awards is an aspirational goal for them.

The event brings high-profile judges and guest speakers to Invercargill, many of whom inspire students to further pursue their creative passions within New Zealand’s creative industries.

We had an impressive lineup of judges in 2017 who included:
Filmmaker Allan Baddock and Digital Stock Director Nash Varghese. The Southsure Insurance Emerging Artist of the Year 2017 was Marcus Beirowski (Marcus was also awarded Excellence in Film), a first year film student, for his music video The River (https://vimeo.com/246033648), which deals with issues of grief and forgiveness. Awards presented included the Emerging Artist
of the Year ($2,000.00), Runner Up ($1,000.00), Excellence in Animation ($500.00, Mechanic internship) and Excellence in Film ($500.00), amounting to $4,000.00.
2017 was the first year Mechanic Animation (https://www.mechanicanimation.com/) offered an internship that was awarded to 2nd year animation student Nina Lee-Simpson (https://www.stuff.co.nz/southland-times/news/98825536/sit-animation-student-to-intern-up-north). Mechanic will continue offering this internship as part of the awards in 2018.

She's related a lot with the sponsor and appealed to their needs and desired almost more so than our own, I just had my brother make a small amount of tweaks:

RE; THINK & CREATE EMERGING ARTISTS AWARDS – SPONSORSHIP OPPORTUNITY

Hi,

We are approaching you on behalf of the Southern Institute of Technology’s seventh annual visual arts showcase ‘Think and Create.’ Our team of creative students is currently evolving our film, art and animation awards and are approaching business leaders to talk about some mutually beneficial sponsorship opportunities. We are interested in collaborating with your business and putting the Subway brand in front of lots of hungry students. We’re looking to partner with Subway because of your reputation in valuing customer relationships and caring about community reinvestment, whether nourishing bodies or minds.

The two week event being held in October/November this year will feature more than 75 emerging creatives’ works; and be seen by most students on campus, members of the public, and 200 VIP guests on the final evening. It is a great chance for you to support us while profiling Subway’s commitment to community nourishment through getting behind SIT’s creative students.

We are looking for a main sponsor for the event ($4000), and/or additional individual award sponsorship of varying amounts.

We also welcome backing from businesses within our community (including donations of product) that have a good fit with supporting vibrant creative talent emerging in Southland. If you do join us you'll be in great company. Any support is appreciated and valued. It encourages students believe in themselves and their ability to innovate and compete in a professional real-world context.

Students are the backbone of the awards. They, along with input from experienced tutors, coordinate the event as part of their Professional Practices paper, managing all aspects of the event including fundraising, publicity, judges, guest speakers and the awards evening. This experience is an invaluable opportunity for our emerging creatives.

We offer a big thank you to all our sponsors, past and present, and welcome the chance to bring on your support as we continue to grow this exciting event.

This letter is to provide some preliminary information for you before I follow up with you on ???? to get your thoughts about how we might work together for mutual benefit. On the second page of this letter I’ve included further background information about last year’s awards.  

Thank you for taking the time to read my proposal and if there’s anything else you’d like to know before I contact you please get in touch.

Kind Regards
Bootje Myburgh
(Bachelor of Screen Arts, SIT)
PH: XXXXXXXXX
Email: XXXXXXXX

EMERGING ARTISTS AWARDS BACKGROUND:

This year’s emerging artists awards have been renamed ‘Think & Create’ to reflect the creative process. As with previous years, the event will be held during two weeks across multiple venues in the Invercargill CBD, giving our major sponsor and other backers great brand exposure to a captive audience.

We can offer our sponsor/s excellent exposure within the local community through branding and high profile logo display included with all publicity surrounding the event.  Advertisements, posters, invitations, exhibition maps, social media, awards certificates, and Flick’s programmes will all serve as promotional opportunities.

Interest in this year’s event is already high and with the addition of a new Creative Certificate course entries are expected to exceed those of previous years, increasing participation from students and generating greater engagement from the public. The always popular Flicks evening, which showcases student film, animation and gaming is also expected to be well attended on the final night.

Our awards have become a highlight for students, and many go on as graduates into other creative industries or further education, featuring these awards in their CVs (and potentially the Subway brand). Inclusion of their creative works in the awards is an aspirational goal for them.

The event brings high-profile judges and guest speakers to Invercargill, many of whom inspire students to further pursue their creative passions within New Zealand’s creative industries.

We had an impressive lineup of judges in 2017 who included:
Filmmaker Allan Baddock and Digital Stock Director Nash Varghese. The Southsure Insurance Emerging Artist of the Year 2017 was Marcus Beirowski (Marcus was also awarded Excellence in Film), a first year film student, for his music video The River (https://vimeo.com/246033648), which deals with issues of grief and forgiveness. Awards presented included the Emerging Artist of the Year ($2,000.00), Runner Up ($1,000.00), Excellence in Animation ($500.00, Mechanic internship) and Excellence in Film ($500.00), amounting to $4,000.00.
2017 was the first year Mechanic Animation (https://www.mechanicanimation.com/) offered an internship that was awarded to 2nd year animation student Nin Lee-Simpson (https://www.stuff.co.nz/southland-times/news/98825536/sit-animation-student-to-intern-up-north). Mechanic will continue offering this internship as part of the awards in 2018.

Didn't end up using any of these because stuff happened, I did end up handing in a letter to Sue though.

Sunday, August 26, 2018

BVA 203 S2W8 :

Media Release

1)

- Facts about your event
- Published on a media platform
- Reach target audience through media
- Make sure is easy for media to digest and release
- Promote your event
- Who, what, where, why?
- Cost and why target audience should attend
- Sell the event
- Contact info e.g. bookings, sales, queries

2)

- Overview of event and first thing media audience will see

3)

- Point of Difference : Student Run Event. Re-brand. Something Fresh and New.
- More Community based project e.g. multiple supporters

4)

- Overview of Event
- Credibility, opportunity to sell event. Journalists can't change
- Personal Connection
- Chairman? Students
- Past judge, speaker, winners

5)

- Third person : unbiased, no editing, professional

6)

- Has to be dated in case any changes happen
I have to be careful with my words now....
7)

- Include image/how to source an image

8) Kind of images?

- Past artwork, people happy, big team photo



We then did an activity in class where we had to set up our own media releases for this event, it was a very unproductive meme.

BSA 231 W7 : Creature Design

I've started developing the design of my demon, the first stepping stone to this was coming up with a solution to representing its presence. In the story I open by having the character describe how he can feel when the thing is around and I was wondering how I would represent this on film.

The solution came to me in the form of horror sounds that are commonly heard in these types of movies, I did some research and found this instrument online:




If the demon in my film is accompanied by these sounds it would serve its greater purpose in the plot (it's too weak to steal souls properly so instead scares people to death, so it makes sense that it would fashion itself tools to help do this) and it is also a clear motif of when the supernatural entity is knocking about.

This machine above is an instrument used for sounds commonly heard in horror movies, I thought it would be a unique design choice to give my monster one of these. I haven't seen it in a horror movie before, breaks the fourth wall to a degree, is visually interesting yet narratively coherent and adds more texture to this world.

I am also thinking of incorporating the weaker aspects of the demon's persona into its design, the idea is its lesser than its peers and this could be presented in a variety of ways, like certain unpronounced features (weak jaw, small shoulders) or a physical disability (spinal dysraphism - which is weak but also somewhat unsettling). 

So key features of my design:

- Suit
- Scary Face, usually painted (like Sinister, Insidious or old viral jump scare videos)
- The Apprehension Engine
- Weak physicality/deformity

This also has repercussions on my sound design. 

Friday, August 24, 2018

BSA 231 W7 : Car Rigging Boi

We did a workshop with Ash about rigging a camera to a vehicle safely, this is most benefit to Izaiah and Matthew who intend to do shots like these for their films.

One of the issues we ran into was that the reflections were too strong and the actors were hard to see, when light fell onto the talent it helped a bit, but when making our own films we'll have to light them appropriately - something as simple as a mini flow can do the trick. We're also shooting at night so the reflections will not only be more visually interesting but will also not blow out the actors completely.



 

BVA 203 S2W7 : Video Promos

So Tyler had a pretty good idea to put video promos before the actual films being shown, a short clip interviewing the person who's work is being displayed along with some behind the scenes footage, reason I like this idea is because 1) it'll be fun to do, 2) it gives audiences a tease before the actual film and 3) it acts as an artist statement of sorts.

This weekend I am on Daisy's shoot so I am going to get BTS on that, this is how we'll get the footage for most of these, with interviews coming later. The animators are a bit trickier to get footage for, their process isn't as interesting and we can't quickly do it on set. Instead we'll go visit them during them doing their work and film that, I've already contacted Rachel and each of the third year animators in next Friday's class to ensure that it'll be fine with them. Need to probably take talent release forms along with me. We are also considering doing a second bit of filming separate from class time, but I'll organize that next week when I film them anyway.


BVA 203 S2W7 : Branding and Perception

We looked at a talk by an advertising guru called Rory Sutherland:

https://www.ted.com/talks/rory_sutherland_life_lessons_from_an_ad_man

- Intangible value
- Value of goods can be changed

Something that seems valuable can be made to seem undesirable (he gives the example of making it compulsory for women to wear veils or pedophiles to drive environmentally damaging vehicles),

Something not very valuable can also be made to seem so by changing the perception - the chief example he uses being to make potatoes seem valuable by making it seem exclusive and royal.

- Interface determines human behaviour